The ART of PROJECTION
A True Cinematic Experience
The DLA-NZ500 is the world’s smallest 4K D-ILA projector available today*. The projector has been completely redesigned and includes a new casing, optical unit, lens system, and circuit boards. Using JVC’s proprietary BLU-Escent Laser light source with 2,000 lumens and Native 4K D-ILA devices to display 4,096 x 2,160 pixel images
and a 40,000:1 Native contrast ratio. This projector features Gen2 Frame Adapt HDR to get the most out of HDR content, and Vivid mode to display SDR content such as animations to satisfy a variety of users.
KEY FEATURES
- World’s Smallest Native 4K Projector* with Front Air Intake and Rear Exhaust Layout
- Proprietary, 0.69-inch Native 4K D-ILA Devices (x3)
- 2,000-lumen BLU-Escent Laser phosphor light engine
- 40,000:1 native contrast, ∞ (infinite):1 dynamic contrast ratios
- Delivers images brimming with reality 101-step Laser Light Control by slider adjustment
- Available in 2 colors: Black and white
- 80 mm Fully Motorized 4K Lens with 1.6X zoom, 70% Vertical and 28% horizontal shift ranges
- High-contrast Optical Block
- Two 32Gbps 4K/60p HDMI/HDCP 2.3 inputs
- Second-generation (Gen2) Frame Adapt HDR dynamic tone mapping
- Deep Black Tone Control extends dark tones with greater contrast
- HDR10+ compatibility
- DML (Display Mastering Luminance) adjusts/sets the Dynamic range for better HDR experience
- Picture mode “Vivid” for projecting animated works and game CGs in SDR format
- Color Gamut: 100% sRGB
- Installation Mode with 5 customizable presets
- ISF Certified, plus JVC Auto Calibration
- Multiple Pixel Control (MPC) for increased sharpness and detail
World’s Smallest Native 4K Projector*
Completely redesigned with a new chassis, optical units, lens system, and circuit boards, the DLA-NZ500 is the world’s smallest native 4K projector*.
While maintaining a small footprint, this model incorpo-rates JVC’s proprietary BLU-Escent laser light source and native 4K devices. The exhausthas been installed at the rear to reduce the impact of heat on the projection screen, and to enable greater flexibility in installation. Best of all, the DLA-NZ500 comes available in two colors of black and white to match any interior set-tings.
Gen2 Frame Adapt HDR offers Deeper Blacks and More
The Gen2 Frame Adapt HDR function instantaneously analyzes the different peak brightness per scene or per frame for HDR10 content and performs real-time tone mapping for optimized brightness, color and details. When combined with each of the following modes including the new Deep Black Tone Control, the projector detects and analyzes data contained in HDR sources to project the best of what each source has to offer:
- Deep Black Tone Control subdues tones in dark areas for more realistic darkness.
- DML (Display Mastering Luminance) adjusts/sets the dynamic range to match the image for a much better HDR experience.
- FILMMAKER MODETM recreates picture quality that is faithful to the original master.
Pixel Perfect Resolution with Native 4K Input and 4K D-ILA
Signals input via the 32Gbps 4K/60p HDMI terminal go through the 0.69-inch native 4K
D-ILA device to project full native 4K resolution images (4,096 x 2,160 pixels). JVC’s
BLU-Escent Laser light source and a native contrast ratio of 40,000:1 achieves images filled with reality.
2,000-Lumen BLU-Escent Laser for Bright Images
JVC’s original BLU-Escent Laser light source designed especially for the DLA-NZ500 is capable of
achieving exceptional peak brightness of 2,000 lumens with 20,000 hours of long life. Housed in compact casing, the laser light engine provides higher
output, greater efficiency, and quieter operation, making it an excellent solution for demanding home theater installations.
Fully Motorized 4K Lens
The 1.6x fully motorized zoom & focus, 80-mm 4K lens is capable of projecting high-resolution
images to every corner of the screen, while securing wide shift ranges of 70% vertically and 28% horizontally for flexible installation.
Picture Mode “Vivid”
Made to reproduce SDR content with a narrow dynamic range in more saturated colors with greater vividness, the
Vivid mode is excellent for SDR animated works and gaming CGs.
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